Children's Books and the Olympic Ceremony - Joyce Dunbar (Guest Blogger)

To what two phenomena could the following words equally apply? Irreverent, idiosyncratic, mad, fantastical, unpredictable, bonkers, bizarre, beautiful, inventive, touching, chaotic, singular, funny, emotional, inspirational, anarchic, subversive .

And in what same two phenomena might you hope to catch a glimpse of an anthropomorphic Mole and Rat?





Olympic Park (Wikimedia Commons: Alexander Kachkaev)

The first, of course, is the Olympic Opening Ceremony. In the published responses, at home and abroad, most of these words were used.

The second is what we find in the best of children’s books - especially in that most visual form - the picture book. Only in stages of amazement did I recognize a shared sensibility and common intent.

But then, so did the whole wide world.

The run up to the Olympics was not promising: rain and more rain; big chain monopolies; rows about security; dubious sponsorship, tickets reserved for bigwigs; manned helicopters mounted on tower blocks; sausages arrested for forming into rings. I wasn’t looking forward to it at all. I don’t have the sport bit of brain. Somebody wins, most lose. I don’t know who they are so I can’t see how it matters. But it does matter, incredibly, to a great many people and I like watching them have a good time.



England's 'green and pleasant land' (Wikimedia Commons: Nick Webb)

So I sat down at the end of a dull day to watch the ceremony. I was on my own. What did that matter either? I expected the usual variety show turnout, a bit of tub thumping and marching, a fading nation’s last stand, bored disappointment and an early night. It didn’t turn out like that. The first few scenes were the very antithesis. Mythical England, maypole and morris dancing, cricket on the green, a bucolic blend of Tellytubby land and Betjeman’s middle England.





Industrial Age (Wikimedia Commons: Barney Moss)

But then, oh my goodness, from the moment that Kenneth Branagh, dressed as Isambard Kingdom Brunel, uttering the words of Caliban, given to us by Shakespeare, (a puzzle inside a riddle inside a mystery?) that the ‘isles are full of music, sounds and sweet airs that give delight and hurt not’, things took off with eye widening, heart thumping speed. Images rose out of seeming nowhere, disappeared and were replaced. Those towering chimneys, complete with smoke! Evelyn Glennie, a white witch with swishing hair and flowing robes (Beware, beware, the flashing eyes and floating hair), drumming her heart out, clicking her sticks; the river of molten steel rising up to be forged into the Olympic rings, the Queen jumping out of a helicopter only to reappear a moment later with her customary air of disapproval ....and on an on, one scene unfolding after another, each with a different mood - solemn, hilarious, touching, - totally surprising and utterly heartwarming. This magnificent panorama magically rolled out before us – the fine balance of chaos and technical wizardry – culminating in midnight birds on bicycles and copper petals rising sleekly upwards to form a flaming chrysanthemum of a cauldron.



Olympic Cauldron (Wikimedia Commons: Thomas Heatherwick)

There was sentiment, but no syrup. The NHS scene was idealised of course, but appealed to the childhood sense in all of us, the fear of nightmares, the longing to be tucked up safely in our own bed with our own light and our own nurse to guide us through night terrors. Deaf children singing a song they couldn’t hear, sick children bouncing and dancing on gigantic beds, a giant baby, so many children.

Amid this spectacle, Kenneth Branagh’s eyes glistened with wonder – which looked nothing to do with acting. I think this must have made more new patriots in an evening and more admirers abroad than anything we could have hoped for. And the medals were all to come.

For me, cracking open a bottle of fizz in sheer disbelief and excitement, tears rolling down my cheeks at the dance for the dead of 7/7 with that sweet rendering of Abide With Me, I had the most unfamiliar sense of belonging. This was the country into which I was born, its energy, its talent, its skills, its off-the-wall oddball genius.





"This is for everyone." (Wikimedia Commons: Nick Webb)

As a children’s writer, increasingly dismayed by the sidelining of picture books both in the book chains and in schools, it was immensely reassuring, coming as it did from the same imaginative seam – too rich and deep to disappear. The result was ‘a miracle of rare desire, a stately pleasure dome, with caves of fire.’ Quintessentially, it reflected the shared inner life and psyche of a nation. It was a picture book, writ VERY VERY BIG. To that world, I most definitely belong.

Thank you Danny Boyle and Frank Cottrell Boyce. Thanks also to Boris Johnson for the extra dollop of merriment a few days later in getting stuck on a zip wire flapping his union jacks, as if they might get him going again. (Did anyone hear ‘Poop! Poop!’?).



Thanks also to all those volunteers. I wish I had been one of them.



Team GB (Wikimedia Commons)

Guest blogger, Joyce Dunbar, is an award-winning children’s author with over eighty books published and her series, Mouse and Mole, has been animated for TV. Joyce’s many picture books include Tell Me Something Happy Before You Go To Sleep, Shoe Baby, This is the Star and Oddly. In October, look out for Joyce’s latest fun picture book: Puss Jekyll, Cat Hyde.

Find out more about Joyce Dunbar and her books at http://www.joycedunbar.com/