I was invited to write this piece by author and
Picture Book Den blogger, Lucy Rowland. I’ve known Lucy for a few years now,
having had the privilege of commissioning, editing and publishing several of
her picture book stories and establishing a firm friendship with her in the
process. That’s one of the many brilliant things about my job - the people I
meet and the relationships I build with them. Another wonderful perk of what I do is
discovering new talent and stories.
I’ve worked in children’s publishing for over
13 years, mainly as en editor and for various leading publishers including
Bloomsbury, Macmillan, Egmont, Oxford University Press, Little Tiger Press and
Scholastic. The one thing that has remained the same throughout all that time
is the excitement I get when I come across a new story or an author or
illustrator with a really special quality.
That is exactly what happened when Lucy’s
agent, Anne Clark, sent me the text for Little Red Reading Hood. I’ve
seen many rewritings of fairytales, but this one was utterly unique. Not only
because of its wonderful celebration of reading and stories, nor because it is
so beautifully written in Lucy’s inimitable lyrical style, but because the
story is completely full of heart. This was a rare occasion where the text was
signed almost on the spot and the illustrations just clicked into place because
the fantastic Ben Mantle was the only illustrator
we could imagine for the job.
Not all picture books happen this way.
Sometimes a story idea lands in the right place at the right time when a
publisher has a specific topic in mind, and other times an idea just really
captures a publisher’s interest and imagination. So there is no one specific
method to ensure success in getting published, but there are ways for an author
to improve their chances:
1) Research the marketplace.
Visit bookshops and look at online
booksellers to see what is available and what people are buying. It’s always
good for an author to stay in touch with what is happening in the marketplace,
no matter how long they have been writing or how many books they have had
published. Trends and conditions change all the time.
2) Be aware of your audience.
When coming up with an idea, consider
whether booksellers would be able to sell the story based on your market
research. Will children connect with it? And will adults enjoy reading it to
children time-and-again?
3) Keep abreast of current affairs.
Book trends are often influenced by subjects
that have become topical, so publishers
are always on the lookout for story ideas that tap into current affairs. At present, for example, environment and
mental health and wellbeing are popular picture book themes.
4) Don’t be prescriptive about the illustrations.
It’s good for an author to have a sense of how they imagine their
story may look, but
unless they are illustrating the story as well, it is best to avoid including too
many illustration notes and direction as illustrators need to have creative freedom, plus publishers will have a grasp on how to make a book look
right for the marketplace. Authors will always be shown work in progress illustrations,
so they do get opportunity to be involved.
5) Network.
There’s a strong online community
of authors and illustrators on Twitter and Instagram, so this is a great way to engage in publishing conversation
and news. It’s also a good opportunity to make contact with agents, editors and
designers and make them aware of you and your work. If you’re looking for more
guidance and support then it could be beneficial to join an organisation such as the
Society of Children’s Book Writers and Illustrators (SCBWI).
6) Seek advice.
Speak to as many people involved in children’s books as possible and
ask the questions that you want answers to. Even ask people to look at your work
- but be willing to take in feedback and suggestions for development.
7)
Consider an agent.
Agent representation isn’t for everyone, but if you are considering it,
do your research into where you would be a good fit. Don’t be afraid to make
contact and send
an agent your work - but make sure you have a number of texts to show them first.
8)
Don’t give up!
As
the phrase goes, “If at first you don’t succeed, try, try again.” Even established authors receive rejections. If a story idea doesn’t get
picked up by a
publisher, then park it and move on to a new idea. There is every chance that
this story could get another opportunity at a different time.
Of course there are illustrators who are keen
to write too. Sometimes an illustrator will tell me they have a story idea and
want to try their hand at writing it themselves but don’t know how to start. My
advice is to tell the story the way an illustrator knows best - in visuals -
and then add the words after.
This is just a part of another great aspect of
my job: variety. The making of no two picture books is ever the same. Whether
it’s an author and illustrator paired together, an author-illustrator creating
the whole picture book, a debut or a highly experienced author or illustrator,
the creative process always throws up new experiences and surprises, and as an
editor I am always learning new things. I feel very privileged that I get to
work with so many talented people who place trust in me with their art.
Since becoming a mum to my own little human a
couple of months ago, I’ve been taking a little time out from working in a
publishing house and instead working solo as an editorial consultant. It’s been
a wonderful experience to make contact with aspiring authors and see their work develop and
evolve. When an author I’ve worked with has a story published, it is a very proud
moment for me too!
If you want to get in touch with me for
professional consultation on your own story ideas then drop me a direct message
on my twitter handle @EditorJangles
