Art Attack! - When picture books inspire art and learning in schools - Lucy Rowland

In both my role as a Children's Author, and my role as a Speech and Language Therapist, I regularly visit primary schools and nurseries.  I always notice the beautiful displays of children's writing and their colourful artwork hanging in the corridors and have recently started to realise just how much of this artwork and learning is inspired by picture books.

Over the last year or so, with the schools' permission, I have been taking pictures of some of the work I've seen.  I decided to share my photos here in the PICTURE BOOK DEN ART GALLERY.

Please Mr Panda- by Steve Antony.

 In this school, Reception Class made Panda faces and wrote shopping lists for a Panda Party!  What a lovely idea!

A smiley Mr Panda awaiting his party!

 Gregory Cool by Caroline Binch

This class created collages based on the colourful art work in Gregory Cool 

You Choose- by Pippa Goodhart and Nick Sharratt

Always a popular book with schools, I saw 2 different 'You Choose' displays this year.

 Year 1 wrote about which pets they would choose.

        In this Reception Class, the children all drew their choice of pets.

Then they made their own You Choose books to document all of their You Choose choices! 

Oi Frog! by Kes Gray and Jim Field

Some children used Oi Frog! to explore rhyme.

Kevin by Rob Biddulph

This class made their own monster 'WANTED' posters after reading 'Kevin'.

A great way to practise describing characters.

Little Red Reading Hood by Lucy Rowland and Ben Mantle. 

During my author visits, I even spotted some learning and art work based on mine and Ben Mantle's book Little Red Reading Hood.

 

This school created a Little Red Reading Hood mural in their new library!

 And this school created Book Hoops for World Book Day! They looked wonderful! 

Owl Babies by Martin Waddell and Patrick Benson

In this Nursery class, the children read Owl Babies and then made their own owls from paper plates.

And in this school, the children chose to make their World Book Day book hoop using Owl Babies for inspiration.

One of my favourite things is when teachers tell me how they have used my books in class to support children's learning. I love to share photos with other authors and illustrators when I see the beautiful work that children have created based on their books. 

Do you have any other photos to add to our gallery? Please comment below if you've come across other examples where picture books have been used to inspire children's learning in schools.

How to write a bestseller – Unintentionally! By Mary Hoffman

Amazing Grace by Mary Hoffman,
illus by Caroline Binch
(25th Anniversary Edition, Frances Lincoln)

We're delighted that this month our guest blogger is award-winning author, Mary Hoffman. Mary's getting ready to celebrate something she never imagined would happen...

I am having a silver anniversary this month – no, not with my husband, but a whole slew of other people. My publishers, Frances Lincoln, are bringing out the 25th anniversary edition of my picture book Amazing Grace.

That little book has been one of the most successful titles I have ever written. It led to three more picture books (Grace and Family, Princess Grace and Grace at Christmas), three story books (Starring Grace, Encore, Grace! and Bravo, Grace!), two plays at the Minneapolis Children’s Theatre, an opera in San Francisco and currently is optioned for a TV series.

The thing is: it was just another text when I wrote it. A 32-page picture book which, as I knew well by then, means 12 “spreads” (double page openings) in which to tell a story, beginning on page 6/7 and ending on page 29 or 30. In fact I wrote the first drafts of two other picture book texts the same day, back in April 1989. One was published, one was bottom-drawered and one was Amazing Grace.

I had a precious day away from the demands of three small children, the household and the constant interruptions that are the life of anyone who works from home. I had just been for a swim and, wrapped in a towel, I wrote, “Grace was a girl who loved stories …” 

Grace, illus by Caroline Binch

Not quite as momentous as “In a hole in the ground there lived a hobbit…” but almost! The story flowed quite easily and I had always known that Grace would be Black. It was partly because I wanted to show her overcoming all sorts of obstacles and I thought, quite wrongly as it turned out, that sexism would not be as rife in in the 1990s as it was when I was growing up. So I added race as another level of challenge for Grace doing what she wanted to do.

When I had written the first draft – by hand on a lined pad, I took it home and typed it up and sent it to my agent, Pat White. I asked her to send it to my editor at Methuen, Janetta Otter-Barry, who had published several of my picture books and chapter books. But Methuen had just been taken over by Octopus and Janetta had left to be Children’s Publisher at Frances Lincoln.

Introduction to anniversary edition, with early Grace manuscript

She was looking for books to publish on their first children’s list and was pleased to receive my little text. So that was literary agent and editor on board; the next decision was about the illustrator.

Caroline Binch had painted the cover of my anthology Ip, Dip, Sky Blue (HarperCollins) and I knew she could portray ethnic minority characters. But would she undertake a picture book? Thank goodness, she said yes, she would like to try. After at meeting at Frances Lincoln’s offices in Kentish Town, Caroline set about finding a family to pose for the detailed photos she uses to base her paintings on.

I had put a baby brother in my first draft but the people Caroline found were a perfect three-generation, all female family, with no father on the scene. In retrospect, that was a gift. I wrote baby Benjamin out of the story (writers are great killers as well as creators).

Illus by Caroline Binch

Many other people on the team at Frances Lincoln contributed to the book’s success: Frances herself, who became a very good friend and whose sudden unexpected death in 2001 was a great blow, Judith Escreet, the Art Director, who has designed all my books for that publisher to date, Nicky Potter, who did the publicity then and is still doing it now for the anniversary edition, twenty-five years later. 

Amazing Grace became a huge hit in the US and was soon in the New York Times’ Bestseller list, something that was a great satisfaction to Frances with her first children’s list and to the rest of us.

But if you ask me how I did it, I can’t really tell you. I think that might be true of all bestsellers: that you don’t know when you are writing one. Only time will tell. The only advice I can give is to treat it like the Lottery and take the “if you’re not in, you can’t win,” approach. The odds against writing a picture book as successful as The Very Hungry Caterpillar or Guess How Much I Love You or The Gruffalo are enormous.
The one sure thing is that you won’t write a successful picture book unless you write something! The other ingredient I would add is a passion for what you are writing about and a belief in the characters and their story.
And who knows – you too might have a group silver anniversary in twenty-five years time. I hope so.

www.maryhoffman.co.uk

Illus by Caroline Binch

Mary Hoffman is the author of over a hundred books for children and teenagers. As well as Amazing Grace (which, with its sequels has sold a million and a half copies), she has written many picture books, including The Colour of Home and The Great Big Book of… series, with Ros Asquith. (All Frances Lincoln). She lives in a converted barn in Oxfordshire, with an Aga and three Burmese cats. Also her husband, with whom she has three grown-up daughters, three grandchildren and one grandcat.