Most Inspiring/Helpful Advice I've Received From An Editor or Agent - Group Post

As this is the last post of 2015 we decided to share some of the most inspiring and helpful advice we've received. We hope you find it useful and if you've received any useful advice please feel free to share in the comments. 

Keep it global - Lynne Garner

I was once advised by an editor to think globally whilst writing a story. By this my editor meant unless the setting is an important element of the story then try not to include festivals, celebrations or holidays that are only enjoyed by one country or religion. This hopefully means your publisher can sell your book to a sub-publisher without making huge changes to your story. I followed her advice whilst writing A Book For Bramble" and made the celebrations Teasel enjoyed ones that were linked to the seasons. As you can see from the attached cover her advice worked and the book was translated into other languages, resulting in increased royalty payments for me.

Don't rush - Moira Butterfield 

When I was a young editor I was very gung-ho and wanted to do everything quickly. My boss, Jenny Tyler at Usborne, told me 'more haste, less speed', and I've never forgotten it either as an editor or as an author. I do tend to rush things by nature and have to rein myself in. It's important to leave text to marinade - even if you only have a limited time schedule. Give it space. Put it away for a day or two and then go back to it. Don't send it off to anyone until you are sure it's fully formed. That means reining in your initial excitement about it and not jumping the gun.

A spread from I Saw a Shark, illustrated by Michael Emmerson, out at the end of 2015.
I kept this text to myself for ages, tinkering
with it and not giving myself any pressure. 

Focus on your strengths - Jonathan Emmett
The most valuable piece of advice I’ve been given came from my agent Caroline Walsh when I was just starting out in children’s publishing. I’d intended to be an author-illustrator and many of my early projects were both written and illustrated (and sometimes paper-engineered) by me, but there was little interest from publishers. Caroline explained that there were plenty of illustrators who could produce good picture book illustrations, but not many authors that could write good picture book texts. Caroline told me that I could write good texts, so if I wanted to make a living out of picture books, I should focus on the writing. I followed her advice and I've been making a living as a picture book author ever since!

One of my early illustrations for the my picture book story Fox's New Coat,

which was eventually published with illustrations by Penny Ives.

Be prepared to change - Jane Clarke

When PictureBook Den's Natascha was an editor at Random House, she asked me to change a character in Knight Time from Mummy to Daddy - and it's a much better book because of it- thanks, Natascha!

Fab illustrations to the finished book by Jane Massey -and a very scruffy alteration to the original text by me: 

Have fun! - Paeony Lewis

Alex Bear and Baby Pog having fun in I'll Always Love You,
by Paeony Lewis, illus by Penny Ives

Long ago I sent three stories to an agent for children's books. Although this particular agent didn't take me on, she replied with comments. One comment in particular has always stuck in my head and it was simply to have more fun in my writing. So even now, when I've finished the draft of a picture book text, I'll read it and ask myself if  I've included enough fun. I appreciate that not all picture books are 'fun', but almost all include humour, even if it's subtle. For me it was simple, great advice.





Read it aloud in a different accent - Michelle Robinson

Don't assume your rhyming text rhymes in every tongue just because it does in yours (e.g. 'again' and 'rain'), and definitely don't cheat and tell yourself a near-rhyme will do the job because it almost certainly won't. I can't remember who gave me this advice now so I don't know who to credit - but it's something I still need to remind myself to do as it's not something that comes naturally. I also kind of wish I'd avoided ending lines with nouns in 'Elephant's Pyjamas' as having to switch words to their non-rhyming American equivalents (e.g. 'jimjams' became 'jammies') made doing the U.S. edit rather tricky.




We hope sharing the above will help and inspire you. We also hope that 2016 brings you all you wish for.

With our very best regards,

Everyone at the Picture Book Den

The Oddest Place I've Written - Group Post

Today we've decided to try something a little different and create a joint blog about the oddest place we've written a story. We hope you enjoy.

The Oddest Place I've Written - Lynne Garner

The ideas for my books tend to come when I'm out and about. So I typically only get the chance to jot down the basics of the idea. However I have written two books whilst away from my desk. The first was Dog Did It! I'd just taken part in a day long workshop led by the very talented and lovely Julie Sykes. I'd had this idea for ages but not managed to do anything with it. However with Julie's hints and tips buzzing around in my head and the support of the other students Dog Did It! was ready to burst into life. So the first draft was scribbled in a small note pad on the train home. The second oddest place I've written a picture book story (one that is still looking for a home) was whilst walking the dog. The idea had been floating around my mind for a few weeks. I'd tried to get it down onto paper but it just wouldn't play the game. However as I wandered around the field doing my ball throwing duties it came to me almost fully formed. Eager to keep a record of it before it faded away I wrote the first draft on my phone (between ball throws).        

The Oddest Place I've Written -  Jane Clarke

Was in a hammock in a shared roundhouse in the middle of Los Llanos, Venezuela, after spending the day looking for anacondas. 

The anaconda we spotted was digesting the contents of a big bulge in its tummy and a rhyme popped into my head based on  'There Was an Old Lady who Swallowed a Fly...' It's called I Saw Anaconda, and it's due to be published by Nosy Crow next year, illustrated by Emma Dodd.

The Oddest Place I've Written - Moira Butterfield 

When Lynne asked me to think about this subject, I had a problem. The thing is I can hardly write anywhere. In fact I've gone a bit weird about it. I don't like writing in a place where someone might walk in and break my thought process. I can't write where there is music. I do, however, make an exception for trains. I don't know what it is about trains - the rhythmic noise, the confined area, being stuck in a seat - it's all good. I love writing on trains and have been known to go on a journey just to get some writing done. I write longhand in a notebook or pad, and I snigger inside if someone nosily peers over my shoulder, because my writing is illegible to anyone but me and they are foiled (see below). My best ideas come on trains. Ticket to ride please!

If you have a tale to tell about the oddest place you've written please do leave a comment and let us know, we'd love to hear about it.

Regards

The Picture Book Den Team