Showing posts with label Children's Laureate. Show all posts
Showing posts with label Children's Laureate. Show all posts

Monday, 15 July 2019

Building Kids’ Bookshelves - Just One (More) Book At a Time • by Natascha Biebow


I have this image stuck in my mind: just one book on a lonely bookshelf, occupying pride of place.



A precious resource.



The key to so many things, among them MAGIC. Yes, the magic of reading, the magic of another world, the magic of access, the magic of fun.



I grew up in a non-English speaking place, so books were treasured gifts from family living in England.



I loved reading, and I loved books. My school had a library also. More windows.



I still have these books. They are friends. When I was old enough, I filched from my parents’ bookshelves as well. 


But for many, the reality is very different. 

In 2018, in the UK, the National Literacy Trust surveyed 44,097 children aged 8-18. It worryingly concluded that 1 in 11 children and young people in the UK don’t own have a book of their own at home. 

The same survey also revealed unsurprisingly that “the more books a child owns, the more likely they are to do well at school and be happy with their lives.

It is well documented that reading for pleasure is the single biggest indicator of a child’s future success, and that reading is key to developing empathy. Picture books (and all books!) matter.
 

There are some great initiatives to bring books into households:



Booktrust’s Bookstart – which gives free books to every child in England and Wales at two key stages before school, as well as free packs for children with additional needs.  

World Book Day –  where each child receives a £1 book token towards a book – is a registered charity on a mission to give every child and young person a book of their own. Published figures state that WBD reaches 15 million children and young people in 45,000 schools every year.



With every book donated, there is a greater chance of a child discovering their love of reading and gaining access to a brighter future. 



But, clearly, there is more to be done.



Even if children have one book on their shelves, they should be entitled to more. Access to books through free school and public libraries is something that will benefit everyone’s future.



This week, Cressida Cowell took over the mantel of Children’s Laureate from Lauren Child, with an ambitious ten-point charter:





In her impassioned speech at the launch event, Cowell talked about the magic of books and reading for fun. She promised to do more to lobby for access to books, school libraries and author and illustrator visits.



And she promised to LISTEN to what children are saying about books and reading and needing to address our planet’s climate emergency.   

School children support Cressida Cowell's laureate launch speech


Cowell admits that it’s a huge list, but she’s committed and she has the laureateship behind her.



But is there something I could do to contribute, I wondered?



I thought about this again . . .



And I remembered: on my author tour this Spring to promote THE CRAYON MAN, I met a teacher and librarian who shared with me the order form for my book that went home with the children. On it, in addition to the possibility of ordering my book to be signed when I came to the school, parents and carers could also choose to buy a book for another child, one who might perhaps not have access to such a thing. And people did!



At another school, the PTA purchased a book for the library and a copy to give out as reward for children who had achieved something noteworthy at school. I know some authors and illustrators, if they're able, sometimes donate a copy of their book to the school library.



If, for every author/illustrator visit we did, even one child got a book who might not otherwise have one, just think how many more books might be on that bookshelf?


_______________________________________________________________

Natascha Biebow,
MBE, Author, Editor and Mentor
Natascha is the author of The Crayon Man: The True Story of the Invention of Crayola Crayons, illustrated by Steven Salerno, Elephants Never Forget and Is This My Nose?, editor of numerous award-winning children’s books, and Co-Regional Advisor (Co-Chair) of SCBWI British Isles. She is currently working on more non-fiction and a series of young fiction. She runs Blue Elephant Storyshaping, an editing, coaching and mentoring service aimed at empowering writers and illustrators to fine-tune their work pre-submission. Find her at www.nataschabiebow.com




Monday, 16 January 2017

Why I hope the 10th Children’s Laureate will champion non-fiction • Jonathan Emmett


If past years are anything to go by, BookTrust will soon be encouraging people to suggest candidates for the next Children’s Laureate.

The current laureate Chris Riddell has worked wonders in the role, energetically waving the banner for children’s literature with one hand while deftly drawing an endless stream of characterful illustrations with the other. When Riddell first took on the Laureateship he announced that his focus would be to “use the immediacy and universality of illustration to bring people together and lead them all into the wonderful world of books and reading, whilst championing creativity in schools and beyond”.

Illustration was also the focus of Quentin Blake and Anthony Browne’s laureateships, while other laureates chose to focus on other areas that play a key role in engaging young readers including poetry, storytelling, performance, the importance of libraries, daily reading and parents reading aloud. However one key area of children's literature that has yet to be championed by a laureate is children’s non-fiction. So I’d like to suggest that the tenth Children’s Laureate should be a non-fiction author or illustrator.

Some of the non-fiction books that helped turn me into a lifelong reader.

I’m principally a fiction author but, like many children of my generation, non-fiction played a critical role in establishing my reading habit and turning me into a lifelong reader. When I was growing up in the 1960s and 70s the children’s sections of bookshops and libraries were as well stocked with non-fiction titles as they were with storybooks. Mainstream publishers like Ladybird excelled at publishing books that reflected the most obscure childhood interests and enthusiasms, from crochet to car mechanics. By responding to the breadth and diversity of children’s interests in this way, non-fiction books were often able to engage the reluctant readers that fiction could not reach.

From crochet to car mechanics, publishers like Ladybird excelled at reflecting the breadth and diversity of childhood interests.

The children’s book market has changed a lot since then. It’s now far bigger, and far less balanced in terms of fiction and non-fiction. While children’s books about crochet and car mechanics are still being published, a child interested in either – or any other non-mainstream non-fiction topic – is far less likely to discover them in a landscape dominated by children's fiction. Non-fiction has become the Cinderella of children’s publishing and many children who might otherwise have become readers are turning their backs on books because of this.

There is a growing acceptance of the need to redress the balance and promote children’s non-fiction more effectively. Campaigns like FCBG’s Non-Fiction November are already helping to do this, but there is still a long, long way to go. Appointing a non-fiction author or illustrator as the next Children’s Laureate would provide an invaluable boost to the profile of children's non-fiction and represent a huge step in the right direction. And many children that are initially hooked into reading by non-fiction go on to become avid fiction readers, so appointing a non-fiction Laureate could benefit children's fiction too.

I’ve been asking around for the names of non-fiction authors and illustrators who might make a good Laureate and some of the suggestions I received are shown below. It’s not meant to be a comprehensive list and I don't know if any of these people would be willing to take on the role, but I'm hoping it will help to set the ball rolling on a debate about who might fit the bill.


Catherine Chambers enjoys writing about history, cultures and religions, and reckons that sport can satisfy all three. Her books include Stickmen's Guide To The Sky - Uncovered and Goal! How Football Conquered the World

http://www.lovereading4kids.co.uk/author/Catherine-Chambers/gd/Catherine-Chambers.html 



Nicola Davies is a zoologist and one of the original presenters of the BBC children's wildlife programme The Really Wild Show. Her books include A First Book of Nature, illustrated by Mark Herald and Poo: A Natural History of the Unmentionable, illustrated by Neal Layton.

http://www.nicola-davies.com 



Anita Ganeri is the author of the award-winning Horrible Geography series including Planet in Peril which won the Blue Peter Book Award - Best Book with Facts 2009. Her other books include The Explorer’s Handbook: How to Be the Best Around the World.

http://www.anitaganeri.co.uk 



Richard Platt is the author of Pirate Diary, illustrated by Chris Riddell, which won the Blue Peter Book Award - Best Book with Facts 2003Incredible Cross Sections, illustrated by Stephen Biesty, was selected by the Guardian as one of the three greatest children's books of the 90s.

http://www.richardplatt.co.uk



Tony Robinson came to fame playing the role of Baldrick in Blackadder. He has won the Blue Peter Book Award - Best Book with Facts award twice, for The Worst Children's Jobs in History, illustrated by Mike Phillips in 2007 and for Weird World of Wonders: World War II, illustrated by Del Thorpe in 2014.

https://en.wikipedia.org/wiki/Tony_Robinson 



Andy Seed is the author of The Silly Book of Side-Splitting Stuff, illustrated by Scott Garret, which won the Blue Peter Book Award - Best Book with Facts 2015. His other non-fiction books include The Anti_Boredom Book of Brilliant things To Do, also illustrated by Scott Garret.

http://www.andyseed.com




If you have any more suggestions, I’d love to hear them in the comments box below. You might find some names you'd like to suggest on the NIBWEB children's non-fiction website. If you’re on Twitter or Facebook, you could also tweet your suggestion for a possible non-fiction laureate using the #NonFictLaureate hashtag. With a bit of luck, we might just persuade the Laureate selection panel to appoint a much-needed Fairy Godmother to this Cinderella of children’s books.



UPDATE 20/1/17: The suggestion that the next Children's Laureate be a non-fiction author or illustrator has had a good reception on social media. You can read some of the responses in the Twitter collection here. And here are some more non-fiction authors and illustrators that have been suggested (either on social media or in the comments below) in response to this post:



Although Jonathan Emmett has written a few non-fiction books, he is very lazy and so tends to write books where he can get away with making things up. His latest picture book Prince Ribbit, illustrated by Poly Bernateneis the entirely fictitious story of a non-fiction-loving princess and a very cunning frog.

Find out more about Jonathan and his books at his Scribble Street web site or his blog. You can also follow Jonathan on Facebook and Twitter @scribblestreet.








Sunday, 25 March 2012

Guest Blog- Dramatising Picture Books by Julia Donaldson

Today we are delighted to welcome Julia Donaldson to the Picture Book Den.  

Julia became the Children's Laureate in June 2011.
Her wonderful picture books are loved by children and parents all over the world. Her rhythmic and rhyming stories continue to delight time after time.

Julia's events are always a lot of fun and here she talks about dramatising her books.


I did my first ever author visit eighteen years ago. The idea of “talking about my books” to a class of seven-year-olds was a bit daunting, so I decided to act out A Squash and a Squeeze (my first book).

It was easy. I just got the children in a circle, with two of them lifting their arms to form an arch, then chose four animals and a wise old man to stand outside the circle while I, as the little old lady, stayed in the middle. Some of the children in the circle were the curtains and some were the food, and they all joined in the chorus.
I’ve never since then managed to write a picture book which is quite so easy to dramatise as A Squash and a Squeeze. But I keep trying, and I now have a room in my house devoted to props and costumes.

Children acting out my poem "Nut Tree" 
(from the picture book Wriggle and Roar,
 illustrated by Nick Sharratt).

I do recommend drama as a tool for any author visiting a school or library. The children love joining in, and it means they don’t have to sit on their bottoms for the whole session.

It’s surprising how many picture books can be acted by a whole class – even ones with only two main characters.

Pam Wardell, a drama expert based in Edinburgh, does a wonderful production of Brian Wildsmith’s version of The Sun and the Wind.

The class is divided up into different groups, such as Garden, and Sea. When the sun shines the plants in the garden grow, and when the wind blows the boats at sea (represented by hats) are tossed and buffeted.

illustrated by Joel Stewart

One of my own favourites to act out is The Magic Paintbrush, based on a traditional Chinese tale.
Everything that a little girl paints becomes real, but she’s only allowed to paint for the poor, so when the greedy emperor demands a tree of coins she has a problem.

Acting out The Magic Paintbrush

The best thing about doing this with a class is the children’s joyous reaction when their unsuspecting teacher gets cast as the emperor,

but they also enjoy being divided up into horrible henchmen (or women) and innocent villagers.

I am still, however, wrestling with the problem of how to stage my newest book, The Singing Mermaid (due out in April 2012, with illustrations by Lydia Monks).

In this story a mermaid is lured to the circus but misses the sea. Her escape is thwarted until an acrobat teaches her to walk on her hands. Tricky!   I don’t think many infant classes contain two children who can do this.

So I’m going to meet Kim and Symon from the Edinburgh Puppet Lab to see if they can make me a puppet mermaid.


Meanwhile, any suggestions gratefully received.

http://www.juliadonaldson.co.uk/