Picture book differences between the main bookshop chains in the US and UK - Paeony Lewis

Last month I was in the USA and naturally I looked at picture books in shops. How could I not?! This included Barnes & Noble bookstores in three states. As a major chain I assumed Barnes & Noble in the US would be very similar to Waterstones in the UK. Yes and no. I began to notice there were some differences between the US and UK picture-book sections and I thought I'd share my unscientific observations. Of course I haven't forgotten there are lots of brilliant independent bookstores in both countries but they don't have to follow standardised directives from Head Office and so they're more individual and can't be compared in the same way.

Barnes & Noble in the US
The main picture book section was made up of hardbacks.
Selected books are front facing and the rest are spine outwards.

Waterstones in the UK
Most picture books are paperbacks and they're displayed sideways
because the spine of a paperback is insignificant.

To me the biggest difference was the dominance of hardback picture books (with jackets) in Barnes & Noble.  I’d love a knowledgeable person to explain to me why there's such an emphasis on hardbacks in the US. I’m truly baffled and appreciate there must be a reason. Perhaps it's because hardbacks have shelf presence and you can easily read the spine. They’re substantial and feel gorgeous, especially with decorative endpapers. Unfortunately though, US picture book hardbacks are typically $17.99 (c£12) which is expensive for an everyday item. So are they mainly purchased as gifts? Does this mean Americans buy fewer picture books or do they simply spend more? A British paperback picture book is typically £6.99 (c$10), and special offers often lower this further. So per family, do we buy more picture books in the UK? I've no idea, although I'm told the US doesn't have the equivalent of  Book Start.

Waterstones UK
Paperback discounts: '3 for 2'
 and 'Buy 1 get 1 half price'
are always popular.

  

Barnes & Noble US
A rare price reduction.
Both US and UK  have 
loyalty schemes.

With the majority of picture books in Barnes & Noble being pricey hardbacks, I wonder if this discourages the adult from allowing the child to pick a book that might not appeal to the parent? Also, I noticed many of the hardbacks seemed aimed at older children and perhaps this is a sign that in the US picture books aren’t cast aside (by adults – never children) when the child reaches five years. I wish the reading of picture books by older children was encouraged more in the UK. I don't think many British parents realise how sophisticated picture books can be and how they promote discussion.



Despite the plethora of love books, funny books and moral themes in Barnes & Noble, I noticed a ‘grumpiness’ theme too. That surprised me. I remember submitting a ‘grumpy’ book in the UK a few years ago and received feedback that the grumpy adult hippo was too irresponsible in terms of caring for the little hippo. Perhaps I was unknowingly following a grumpy, humorous American zeitgeist! In fact, more than in the UK, I thought quite a few US books seemed to push way beyond the boundaries of cute and cuddly, with exaggerated humour that often poked fun at poor parenting (more so than in the UK). Plus the style of many illustrations wasn't quite the same as in the UK (often more cartoony in an adult way - though it's hard to put my finger on it).

B&N US
More picture book shelves from another B&N.
Lots of hardback picture books squeezed onto the shelves and the hardback spines allow for identification.
With only a spine I assume the title must be even more important. To me the lack of front-facing books
doesn't seem to encourage browsing, but they can squeeze more books on the shelves.

B&N US
It's much easier to make a choice when the covers can be seen.
Visibility is a perennial problem for picture books.

B&N US

Rhyming picture books used to be much more popular with publishers in the US than UK. I suspect that was because the US internal market is huge and they didn’t worry about overseas co-editions and translations as much as UK publishers. So in the US there has always been a high number of rhyming picture books and Dr Seuss continues to remain far more prominent than in the UK. Meanwhile in the UK, rhyme is still growing on the back of the phenomenal success of Julia Donaldson. Nowadays every Waterstones in the UK appears to have a large section devoted to Julia Donaldson's rhyming picture books, but I didn’t see this in Barnes & Noble in the US and only noticed one of her books: The Gruffalo. Instead, the author with the most shelf space in the US Barnes & Nobles appeared to be Mo Williems. We enjoy his Pigeon books in the UK (eg Don't Let the Pigeon Drive the Bus), though his other humorous books haven’t taken off in the UK in the same way as in the US.

B&N US  The author with the most shelf space was Mo Williems.
More than two thirds of the books in this photo are by this author/illustrator.

Waterstones UK I suspect you can guess the author with the most shelf space in the UK!
Two thirds of this photo is linked to Julia Donaldson (books and merchandise).

Now it’s time for my greatest befuddlement. Why do almost all the American hardbacks in Barnes & Noble have flimsy, tearable, non-child-friendly jackets? Am I the only one who thinks this is madness?! I know some UK publishers add jackets to hardbacks too, but not to the same extent. And now I’ve thought about it, the lovely hardback versions of my No More Yawning and No More Biscuits didn’t have jackets in the UK, but they did in the US.

I wonder what happens to these jackets? Do American parents remove the jackets when they get them home? Or are the jacketed hardbacks kept on a special shelf in case they’re damaged? Are additional jackets still run off the printing press so booksellers have extras (which need to be stored). It’s beyond me – please will somebody explain!!

I’ll stop ranting and move on to something I liked: the Little Books for Little Hands section in Barnes & Noble that's aimed at 0-3 years. The title of the section says it all. They’re robust board books of classic, truncated and new stories and are strongly constructed for children to handle (chew, stomp, pull, share...). I thought this section was larger than the board book section you’ll find in a UK Waterstones. Perhaps it's to make up for the plethora of pricey US hardbacks?

B&N US: 'Little Books for Little Hands' 0-3 years

The B&N stores in three different states all included
 the same stage in the children's section.
A lovely idea for events to bring in customers, though perhaps US stores have more space than Waterstones in the UK? Plus I felt a labelled box of books for sharing (with B&N stickers to show they're not regular stock) would be nice to encourage use of the empty area outside of performances.

I wasn't so wild about all the toys sold in Barnes & Noble stores and they're far more appealing to young children's than rows of hardbacks with just the spines on show.

Also new to me at Barnes & Noble were the small, cheap paperback versions of picture books (smaller than typical paperback picture books in the UK). Proportionately there weren't many of these and they were displayed on one or two revolving stands with covers facing outwards.The selection isn’t large and seems to be aimed  more at young children reading for themselves. Series and classic bestseller books appear to predominate and my latest US version of I’ll Always Love You is the right size to fit into these stands (ie squarer and smaller than normal picture books). 

Whatever my comments, I enjoyed perusing the bookshops in the US and I apologise for not buying many picture books but my suitcase was already stuffed  (it didn't help that I was a nut case who brought a full-size pillow along on my travels!). Even so, I couldn’t leave empty handed and squeezed in four books. Only one of those four books may be found on the shelves of Waterstones in the UK (Goodnight Moon), though most can be ordered.

At an independent US bookstore I bought a paperback of the 1947 American classic, Goodnight Moon by Margaret Wise Brown, illus by Clement Hurd  (interestingly, the small independent store in North Carolina had a few more of the paperbacks we’re used to in the UK). Published by Harper Trophy

Whilst at the Library of Congress in Washington DC I spotted a paperback of the classic The Snowy Day by Ezra Jack Keats. This book was new to me and in 1962 it was a ground-breaking US picture book in that it portrayed a realistic, multicultural urban setting. Published by Puffin Books

I couldn't resist this hardback from Barnes & Noble. Mother Bruce by Ryan T Higgins really made me giggle. It's about responsibility and so utterly grumpy and naughty! Published by Disney Hyperion in 2015

Another hardback from Barnes & Noble. When Spring Comes by Kevin Henkes, illus by Laura Dronzek. I bought this purely for the gorgeous bold illustrations. Published by Greenwillow in 2016

I’m somebody who’ll always buy books, whether they’re US hardbacks or cheaper UK paperbacks. Unfortunately this isn’t true of everybody which is why I’m not sure it helps if the newest and most diverse books can only be found in an expensive hardback format in Barnes & Noble bookstores in the US. Would Barnes & Noble make more money if they sold more paperbacks and displayed them cover outwards as is done in Waterstones? Or is the main profit in hardbacks? Regardless, I suspect we'll all agree it should be a priority to get more children reading more picture books, and for adults to enjoy spending time sharing the books.

By the way, if anybody would like to put me right on the differences I've noticed between the UK and US, it'll be lovely to read your comments. Thanks.

Paeony Lewis
www.paeonylewis.com

Events for the picture book age group by Abie Longstaff

I do lots of events: in schools, in shops and at lit fests. Performing was really scary at first but I've got better over the years and I've learned a few tricks along the way!

1. Pre-event

The more effort the event organiser puts in, the better your reading will be. If a shop books me I try to engage with them in the run-up to the show, making sure there are advertisements, posters in the window, notices on local forums; anything to get the message out to parents.












Sometimes the shop needs a bit of a nudge to do this - I often ask my lovely publicist at my publisher to help here. Publishers can make a range of fantastic posters and showcards.
 
2. Prepare

What are you going to do?
I start by reading a story

I talk about how I make a book: where my ideas come from, my writing process, the editing stages.

then we play games - for The Fairytale Hairdresser we play salons.

I have some great dolls with really strong hair that can be brushed, pulled and pinned and we spend ages putting in clips and ribbons. I also have pirate outfits for Pirate House Swap and some fantastic puppets for The Mummy Shop.

 

There are colour-in activity sheets...and sometimes we even have cake!

Work out your event in chunks of time. It's really important to know how long each segment takes so you can plan and so that, on the day, if you only have ten minutes left, you know which segment to do.
 
3. Know your age group

Children of 2-6 don't sit still for long! You have to work hard to engage them. I find sitting with them on the floor really helps because it keeps you in their eye-line and you can hold their attention more easily. I ask them lots of questions as I read: about the pictures and what they can see; about how they think a character feels; about what might happen next. I try to make it a bit like being read to at home, a chatty cosy time so they feel at ease and confident.

Don't forget, along with your target age group will come their parents (who also need to be engaged with and chatted to) and often a much younger sibling.

If you watch the audience you can see when the children start getting wriggly and itchy - spot trouble before it happens and change to another activity.

4. Think about actions, pictures and sounds

When you are reading it is very easy to get caught up in the words. Don't forget to points things out in the illustrations. Ask the children to make sounds - horns, doorbells, rain, animal noises; whatever suits your texts. I get to hear some pretty evil witch cackles! The same applies for actions - we spend time plaiting Rapunzel's hair along with the fairytale hairdresser.

If I'm lucky enough to have the illustrator (Lauren Beard) with me there is a whole new dimension to the event - she draws as I talk and the children can really see the story come to life!

5. Questions

This age group come out with some fantastic questions. They often don't understand that a book is printed - I'm usually asked how I make my writing so neat in the printed books and if it took me ages to write out each book by hand! I ask them how long they think it takes between my first idea and the book ending up on the shelf in a shop. If I really could make that process happen in a day or a week I'd be a very prolific author indeed!

They also tend to spot tiny elements of the illustration that can pass adults by. Be prepared to explain the drawings as well as the words in the story. Get to know every inch of your book. And be prepared for off the wall comments. My favourite question has to be from the little boy who put up his hand to say proudly:
"I had pineapple for breakfast"

I'd love to hear your tips on events!

Have a look on my website for my future events 

Book to see Lauren and me at Hay-onWye Lit Fest here